ABOUT THE THREE BLOOMS OF NARCISSUS ba nu. thuy? tie^n...


In her private world -- the world of a self-taught artist, the three blooms of narcissus reminded her of three Vietnamese school girls before 1975, sweet and innocent. All in pastel colors, like that touch of nostalgia...Trong thế giới riêng tư của cô — thế giới tự học, có ba đóa tiểu thủy tiên (narcissus). Đây là loài hoa tôi rất ưa thích vì cái mộc mạc dịu dàng và nhỏ bé của nó. Ba bông thủy tiên này...Những bông hoa thanh tao bé nhỏ này làm cô nhớ đến hình ảnh ba nữ sinh Việt Nam quấn quýt bên nhau trước 1975. Màu trắng tinh khiết ẩn chút xanh xanh mơ màng hắt lên từ lá, nhụy hoa màu vàng anh tươi mà nhã, xen giữa những cọng lá dài và xanh — có cọng vươn thẳng đầy nhựa sống, có cọng ẻo lả nghich ngợm. Tất cả là màu sắc mềm của phấn tiên...

Showing posts with label POETRY-- ENGLISH Thơ Anh ngữ. Show all posts
Showing posts with label POETRY-- ENGLISH Thơ Anh ngữ. Show all posts

Sunday, February 17, 2013

BY THE TREVI FOUNTAIN: A WISH





 
The Trevi Fountain
 
POETRY-- ENGLISH
Thơ Anh ngữ:



The Trevi Fountain in the Trevi district in Rome, Italy. Standing 26.3 metres (86 ft) high and 49.15 metres (161.3 ft) wide, it is the largest Baroque fountain in the city and one of the most famous fountains in the world.

WISHING YOU, WISHING ME,
BY THE TREVI FOUNTAIN
WND copyright Jan 2013

Throw a coin
Farewell sorrow
Let it go, set it free
Let life flow, let life be
Wishing you, wishing me

Throw a smile
Farewell emotion
Let it pass, let us fly
Make greed gone, let love shine
Making peace, making time...



 
                                In front of the Trevi Fountain

Thursday, January 24, 2013

FROM GULAG TO LOVE

POETRY-- ENGLISH Thơ Anh ngữ: 

A lover's ballad to him whose name is prisoner-of-conscience
                       
In memory of the fall of Saigon 
30/4/1975  

To that Vietnamese nobleman
 who has borne his cross, paid his dues, 
for us to move on,
and whom I will never meet            
UND


Love, Life, and Exile

Tình Yêu, Đời Sống và Lưu Đày

DNN copyright 1998
watercolor on paper


In what’s left of a glimpse of life
let me curl up against you
facing the dying sun
feeling your breath upon my hair
in storytelling too sacred to be revealed
the night falls
and the hours pass

I turn to face you
to place my lips on your telling heart
and listen to its beat
tell me tell me please tell me
(the heartbeat of life
like sounds of words and sighs
too fragile to render real
yet too real to surrender)
It tells me
of all the scars and wounds
            nhung la mau do thit roi...

my fingertips are now confirming
on your burning cells and tissues
They tell me
of hunger, hard labor, and torture
            chem tre dan go tren ngan...

my silky lips are now confirming
on every breath you draw
It tells me
of stretched nerves, broken veins, diseases, cold, heat, starvation, all in buried hopes
            Nhung la ray uoc mai ao...

The vines of my arms are now confirming
on your torso and rib cage
They tell me
of days and nights without sleep and food
            long thuong quan tu om o gay mon

The valleys of my hips are now confirming
on your columns of bony legs
They tell me
of humiliation that aims to bend, when legs no longer run
and feet no longer stand
            Nang vua phuc xuong chang thoi nga ra      

No more warrior or nobleman
No more assassin or escapist
No more saint or martyr
Just a being, broken, yet not broken
            Tram nam trong coi nguoi ta...

Solzhenitsyn’s archipelago, your Suoi Mau
All is here
Flower from Hell--King of Orchid DNN copyright 2009
markers & enamel on cardboard, digitally inverted

In silence
and in one held breath
You thrust secrets of human hell onto me
and in me hell bears fruits
then you turn toward the wall
and never talk
Never dream
Just one more day, for the last time

From gulag to love
lies a thousand footsteps of pain

Uyen Nicole Duong
copyright November 2004, 2012

PARAPHRASING GERTRUDE STEIN

POETRY-- ENGLISH Thơ Anh ngữ
For a Vietnamese translation, click READ MORE below.
 Parisian Window and Empty Chair
L’art Brut artwork by Uyen Nicole Duong C2010
enamel and watercolor on paper

Paraphrasing Gertrude Stein
Uyen Nicole Duong  copyright 2010

“America is my country, but Paris is my hometown.”
Gertrude Stein

Vietnam my country? (not on passport)
 
America my refuge? (not on tombstone)

Paris my view? (but from a window)

Where is my home? (as if a shadow)

Where is my love? (form of a pillow?)

NO,
Vietnam no longer my country
There, I am called “The Expatriate Viet”

NO,
America no longer my refuge
There, I am called the “minority.”

NO,
Paris not my view
I am not looking toward it

HOME AND LOVE?
I am just as homeless as my love

NO
Free me

NO
Lift me

NO
Write me

NO
Paint me

NO
Country

NO
Refuge

NO
Home

NO
Love


NO
Gertrude Stein
I am
lost in tomorrow

Uyen Nicole Duong © 2010

Sunday, December 30, 2012

LES PAROLES TO SIR WHO GOES TO PARIS

POETRY--ENGLISH Thơ Anh ngữ:
UYEN NICOLE DUONG copyright 2000 
_____________________________

Leave your door open tonight, ‘cause I will creep in
I’ll talk to your heartbeat
Tales of the affair between Paris and L’Indochine

I’ll breathe onto your heart memories of girlhood
and paint onto your mind images of what I once saw
of my beloved Paris

so when you roam the city of love, city of lights, city of revolution,
nurturer of the misfit, the rejected, the vagabonde
You will see what I saw and embrace my soul
to find unison
in my beloved Paris

and when the morning sun paints shadow upon your face,
Le depart, by sir who goes to Paris
Je t’ai apporte des bonbons, du chocolat, du croissant, et du fromage
Tout le monde fait ca ici
in my beloved Paris

I once tiptoed along the bank of La Seine, seeing lovers’ embrace
wishing I could grow up so fast to make love to you
I once rolled upon the wet leaves of Le Jardin de Luxembourg,
longing for womanhood when these leaves would turn into your caress
I once peeped inside the boutiques de Champs Elysees
imagining me in ligerie, high heels, and a Dior hat, devenir ton amante

That time never came, and somehow the affair of Paris and L’Indochine
turned into gunshots, guillotines, airlift and evacuation
Somewhere between Paris and L’Indochine, I lie
stoic and silent
awaiting you, still

Grandmere, from the soil of Southeast Asia I can still hear you cry
Maman, agee et gentille, still talking of everlasting love
Et toi, ma tante, tata, you and the glory of your Vietnamese opera stage
Wake up, the women of the East, from tomb, bed, stage, and dream
and tell me, how many years has it been since I left your womb?
If I am to hear the footsteps of love, why does it come so late?

Quand, qui, and comment dire
ce grand amour qui me dechire

So, sir who goes to Paris, tear the sky of Paris for me,
rage over the horizon of L’Isle de France
and rush, rush to me
grab, feel, and taste
and leave nothing unsaid
Rush, rush against time
horseman, boxer, L’avocat, conseil, man of the world
run up the steps of Sacre Coeur
bow to divinity, and love me full as though tomorrow would soon be Apocalypse
down to Monmartre, capture my colors in the artist’s eyes
and find, too, the house of Dalida, upon her breath I sing
Besame, besame mucho
trace for me the steps of Josephine Baker, upon her feet I dance
Samba samba samba comme le mambo mambo la
Reach for Notre Dame’s Rose Window and picture Esmeralda through Quasimodo’s longing
Stroll through L’arc de Triomphe, triumph, please, triumph over me
in the golden sunshine of Paris (sparkling like les cheuveux blonds of the Sorbonne girls), you reign over me
like love itself
back to Quartier Latin, follow the church bells of St. Germains des Pres,
gather for me, sir, pieces of my girlhood

catch Buddha’s statue in the house of the Vietnamese ladies of Pigalle
on the cleavage of Moulin Rouge dancers
glance inside Sartre’s cafe, Deux Magots, where life and hell are both here, Huit Clos No Exit
and move on, my love, reviens, reviens, and blind yourself unto me once more, in me love’s no exit

But when the moon hangs over La Tour Eiffel
When all lights die out on Le Theatre de Moliere
Out on L’avenue de L’Opera, the affair between Paris and L’Indochine has ended
you return to L’Hotel Parisien, alone, sir who has gone to Paris
Look, look, my love
somewhere in a dark alley, at the end of a long and narrow corridor,
I may be lying, hopeless and breathless,
Lips apart, limbs abandoned
lusting love, loving lust
awaiting you, still
Viens, viens, mon amour, vite et tout de suite
Come to me, with cuffs, feather, bonds and bondage
to complete my being
and rewrite for me
girlhood from its beginning
UYEN NICLOE DUONG copyright 2000, 2002

FIRST PUBLISHED:
· THE WRITERS POST (ISSN: 1527-5467),
the magazine of Literature & Literature-in-translation.
Pensive, marker & enamel on paper, DNN C2010