ABOUT THE THREE BLOOMS OF NARCISSUS ba nu. thuy? tie^n...


In her private world -- the world of a self-taught artist, the three blooms of narcissus reminded her of three Vietnamese school girls before 1975, sweet and innocent. All in pastel colors, like that touch of nostalgia...Trong thế giới riêng tư của cô — thế giới tự học, có ba đóa tiểu thủy tiên (narcissus). Đây là loài hoa tôi rất ưa thích vì cái mộc mạc dịu dàng và nhỏ bé của nó. Ba bông thủy tiên này...Những bông hoa thanh tao bé nhỏ này làm cô nhớ đến hình ảnh ba nữ sinh Việt Nam quấn quýt bên nhau trước 1975. Màu trắng tinh khiết ẩn chút xanh xanh mơ màng hắt lên từ lá, nhụy hoa màu vàng anh tươi mà nhã, xen giữa những cọng lá dài và xanh — có cọng vươn thẳng đầy nhựa sống, có cọng ẻo lả nghich ngợm. Tất cả là màu sắc mềm của phấn tiên...

Sunday, December 30, 2012

LES PAROLES TO SIR WHO GOES TO PARIS

POETRY--ENGLISH Thơ Anh ngữ:
UYEN NICOLE DUONG copyright 2000 
_____________________________

Leave your door open tonight, ‘cause I will creep in
I’ll talk to your heartbeat
Tales of the affair between Paris and L’Indochine

I’ll breathe onto your heart memories of girlhood
and paint onto your mind images of what I once saw
of my beloved Paris

so when you roam the city of love, city of lights, city of revolution,
nurturer of the misfit, the rejected, the vagabonde
You will see what I saw and embrace my soul
to find unison
in my beloved Paris

and when the morning sun paints shadow upon your face,
Le depart, by sir who goes to Paris
Je t’ai apporte des bonbons, du chocolat, du croissant, et du fromage
Tout le monde fait ca ici
in my beloved Paris

I once tiptoed along the bank of La Seine, seeing lovers’ embrace
wishing I could grow up so fast to make love to you
I once rolled upon the wet leaves of Le Jardin de Luxembourg,
longing for womanhood when these leaves would turn into your caress
I once peeped inside the boutiques de Champs Elysees
imagining me in ligerie, high heels, and a Dior hat, devenir ton amante

That time never came, and somehow the affair of Paris and L’Indochine
turned into gunshots, guillotines, airlift and evacuation
Somewhere between Paris and L’Indochine, I lie
stoic and silent
awaiting you, still

Grandmere, from the soil of Southeast Asia I can still hear you cry
Maman, agee et gentille, still talking of everlasting love
Et toi, ma tante, tata, you and the glory of your Vietnamese opera stage
Wake up, the women of the East, from tomb, bed, stage, and dream
and tell me, how many years has it been since I left your womb?
If I am to hear the footsteps of love, why does it come so late?

Quand, qui, and comment dire
ce grand amour qui me dechire

So, sir who goes to Paris, tear the sky of Paris for me,
rage over the horizon of L’Isle de France
and rush, rush to me
grab, feel, and taste
and leave nothing unsaid
Rush, rush against time
horseman, boxer, L’avocat, conseil, man of the world
run up the steps of Sacre Coeur
bow to divinity, and love me full as though tomorrow would soon be Apocalypse
down to Monmartre, capture my colors in the artist’s eyes
and find, too, the house of Dalida, upon her breath I sing
Besame, besame mucho
trace for me the steps of Josephine Baker, upon her feet I dance
Samba samba samba comme le mambo mambo la
Reach for Notre Dame’s Rose Window and picture Esmeralda through Quasimodo’s longing
Stroll through L’arc de Triomphe, triumph, please, triumph over me
in the golden sunshine of Paris (sparkling like les cheuveux blonds of the Sorbonne girls), you reign over me
like love itself
back to Quartier Latin, follow the church bells of St. Germains des Pres,
gather for me, sir, pieces of my girlhood

catch Buddha’s statue in the house of the Vietnamese ladies of Pigalle
on the cleavage of Moulin Rouge dancers
glance inside Sartre’s cafe, Deux Magots, where life and hell are both here, Huit Clos No Exit
and move on, my love, reviens, reviens, and blind yourself unto me once more, in me love’s no exit

But when the moon hangs over La Tour Eiffel
When all lights die out on Le Theatre de Moliere
Out on L’avenue de L’Opera, the affair between Paris and L’Indochine has ended
you return to L’Hotel Parisien, alone, sir who has gone to Paris
Look, look, my love
somewhere in a dark alley, at the end of a long and narrow corridor,
I may be lying, hopeless and breathless,
Lips apart, limbs abandoned
lusting love, loving lust
awaiting you, still
Viens, viens, mon amour, vite et tout de suite
Come to me, with cuffs, feather, bonds and bondage
to complete my being
and rewrite for me
girlhood from its beginning
UYEN NICLOE DUONG copyright 2000, 2002

FIRST PUBLISHED:
· THE WRITERS POST (ISSN: 1527-5467),
the magazine of Literature & Literature-in-translation.
Pensive, marker & enamel on paper, DNN C2010

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